Curatorial Work

Jamie Nakagawa Boley, Winyan Omnicha (The Gathering of the Women)

Anita S Wooten Gallery
Valencia College
Orlando, FL

Standing in the Gap of the Here and In Between
Jamie Nakagawa Boley
September 3, 2020 – October 9, 2020

The Funeral Procession

Tattoo Me!
Faun Manne
January 14, 2021 – March 4, 2021
Continue reading Curatorial Work

MFA Blog: The Truth in a Nutshell

This semester, I asked my students (mostly non-art majors) to construct dioramas in the style of Frances Glessner Lee’s Nutshell Studies of Unexplained Death.

This meant reckoning with the body- in or out of its context, left behind, dumped, the object of violence. In these cases, bodies provide the narrative, bodies are the narrative.


Nutshell based on the murder of the Grimes sisters.

Often, the bodies in question are missing- out of sight but still central, still holding the power to fascinate.


Nutshell based on the disappearance of the Sodder Children.

And, often, the stories bodies tell are ambiguous- clearly, something violent happened to them, but the story remains a riddle; the circumstances muddied by the elements, and by time.


Nutshell based on the Dyatlov Pass incident.

In all cases, the dioramas are about ways of seeing the (in)visible body. They’re about seeking information, using image as a way to construct a narrative that suits the visible evidence and makes sense in its own context. They’re not about solving the mystery- about closure, whatever that means. Rather, they’re about learning to look, learning to read the body in its context as text, to reconstruct the circumstances of its unmaking.

MFA Blog: And Then The Lights Went Out

No image, for reasons that will become obvious.

I am the faculty advisor for my college’s Art Club. The students and I have been working on a mural project all semester- an ambitious piece that covers an entire first floor hallway, where the offices of Arts and English faculty are located. The work involves a lot of contortions- twistings of the body, stretching, strange yoga poses. We end up sore, tired, sloppy with paint at least two days a week. We are often also subjects of fun and observation; Admissions staff will come through with prospective students, to show us off.

My students taught me something on Monday, though I’m not yet sure how to articulate it. We had been working for around half an hour. And then, the lights went down. The entire neighborhood was plunged into darkness. I sat back and stretched, ready to call it a day. But my students simply took out their smartphones, turned on the flashlight devices built into them, and kept painting.