The Truth in a Nutshell: Hinterkaifeck

What follows is a 1:24 scale model of the Hinterkaifeck farm, where the entire Gruber-Gabriel family, and their maid Maria Baumgartner, were murdered between March 31 and April 4, 1922. The case remains unsolved.

For the past several years, I’ve been studying and writing about the Hinterkaifeck case. In order to better understand the scene, I consulted floorplan sketches made by police and witnesses, the Gruber family’s probate records, and the few surviving photos of the farmhouse. However, flat images and lists have limits; they can’t give a sense of scale, of space, or tell you much about how people might move through a structure. And so, the scale model was born. I’ve found it incredibly useful in understanding not only the life of the Hinterkaifeck farm, but also its inhabitants and their daily realities.

The scale model comes from an assignment I give my art students. They’re expected to do research on a historical mystery, and recreate the scene in either 1:12 or 1:24 scale. This is based on Frances Glessner Lee’s forensic artworks/investigative tools: the Nutshell Studies of Unexplained Death.

















Blog: The Truth in a Nutshell

Each semester, I ask my students to construct dioramas in the style of Frances Glessner Lee’s Nutshell Studies of Unexplained Death.

This means reckoning with the body- in or out of its context, left behind, dumped, the object of violence. In these cases, bodies provide the narrative, bodies are the narrative.

Nutshell based on the murder of Andrew Borden

And, often, the stories bodies tell are ambiguous- clearly, something violent happened to them, but the story remains a riddle; the circumstances muddied by the elements, and by time.

Nutshell based on the murder of Betsy Aardsma

Often, the bodies in question are missing- out of sight but still central, still holding the power to fascinate. In all cases, the dioramas are about ways of seeing the (in)visible body. They’re about seeking information, using image as a way to construct a narrative that suits the visible evidence and makes sense in its own context. They’re not about solving the mystery- about closure, whatever that means. Rather, they’re about learning to look, learning to read the body in its context as text, to reconstruct the circumstances of its unmaking.

Nutshell based on the death of Gareth Williams